Improper
| A1. | ( 8) | 1s take near hands, promenade down center past 2 cpls |
| ( 8) | 1s separate, ret outside to place, step between 2s, face N | |
| A2. | ( 4) | N sashay down |
| ( 4) | N bal | |
| ( 4) | N sashay back | |
| ( 4) | N bal | |
| B1. | (16) | N bal & sw |
| B2. | ( 8) | Long lines fwd & bk |
| ( 8) | 1s sw, end facing dn |
Improper
| A1. | (16) | N bal & sw |
| A2. | (16) | 4-in-line down hall, turn as cpls, ret, bend |
| B1. | ( 6) | Cir lf 3/4 |
| (10) | P sw | |
| B2. | ( 8) | W ch |
| ( 8) | Star lf |
Longways proper, 5-6 cpls
| ( 8) | Long lines fwd & bk |
| ( 8) | P almd rt, ret to place |
| ( 8) | P almd lf, ret to place |
| ( 8) | P dsd |
| (16) | 1s sashay down & bk |
| ( 8) | 1s almd rt 1 1/2 |
| (??) | reel the set to bottom |
| ( 8) | 1s sashay back to top |
| (??) | 1s separate, cast to bottom, others follow |
| 1s arch, others meet P, duck, ret |
Improper, start in long lines
| A1. | ( 8) | W in to wavy line, bal wave |
| ( 8) | W out while M in to wavy line, bal wave | |
| A2. | ( 8) | M almd lf 3/4, give rt hd to N, bal wave |
| ( 8) | N sw | |
| B1. | ( 8) | M almd lf 1 1/2 |
| ( 8) | P sw | |
| B2. | ( 8) | Rt & lf thru |
| ( 8) | W ch |
Improper
| A1. | ( 8) | N almd lf 1 1/2 |
| ( 8) | W ch | |
| A2. | (16) | Hey |
| B1. | (16) | P bal & sw |
| B2. | ( 8) | Cir lf 3/4 |
| ( 8) | Bal ring, pass thru along |
Improper
| A1. | (16) | N bal & sw |
| A2. | ( 8) | M almd lf 1 1/2 |
| ( 8) | P sw | |
| B1. | ( 8) | W ch, end in ring of 4 |
| ( 8) | Bal ring, Petronella twirl to rt | |
| B2. | ( 8) | Bal ring, Petronella twirl |
| ( 8) | Star lf |
Improper
| A1. | ( 8) | Rt hand star |
| ( 8) | W turn back, N gypsy | |
| A2. | (16) | W pass rt sh, P sw |
| B1. | ( 8) | Cir lf 3/4, step to wave across |
| ( 8) | Bal, slide rt, almd lf 1/4 (W face in) | |
| B2. | (16) | Hey (W pass rt sh) |
There are many versions of Becky Hill's Druid Reel (as far as I can tell). This one is the version that I learned from Lisa Greenleaf. What makes the dance special is the flow in A1 and A2. What makes it tricky is the one-step almd lf at the bottom of B1, which really should come before the end of the phrase, not at the beginning of B2. (Left to their own devices, the dancers will tend to allemande at the beginning of B2 instead, which works, but makes the timing of the hey rather tighter than it needs to be.)
(break)
Improper
| A1. | (16) | N bal & sw |
| A2. | ( 6) | Cir lf 3/4 |
| (10) | P sw | |
| B1. | ( 8) | long lines fwd & bk |
| ( 8) | W ch | |
| B2. | ( 8) | star lf |
| ( 8) | new N dsd |
Improper
| A1. | ( 8) | Cir rt |
| ( 8) | N almd lf 1×, M pull by rt | |
| A2. | (16) | hey, P st pass lf sh |
| B1. | (16) | P bal & sw |
| B2. | (10) | Cir lf 1 1/4 (to orig pos) |
| ( 6) | Cpls zig lf, then zag rt, to pass N cpl by W rt sh |
Improper, 1s bet 2s facing dn in line of 4
| A1. | (16) | Dublin Bay, end in ring |
| A2. | ( 8) | Cir lf |
| ( 8) | Bal ring, "cloverleaf"(*) turn single | |
| B1. | (16) | N bal & sw |
| B2. | ( 8) | Long lines |
| ( 8) | 1s sw |
Improper
| A1. | ( 8) | N almd lf 1 1/2 |
| ( 8) | W ch | |
| A2. | (16) | Hey |
| B1. | (16) | P bal & sw |
| B2. | ( 8) | Cir lf 3/4 |
| ( 8) | N almd rt 1 1/2 |
Done as a no-walk-through dance to close out the evening.