Improper
| A1. | (16) | N bal & sw |
| A2. | ( 8) | Cir lf |
| ( 8) | Roll away w/ half sashay, cir rt 3/4 (*) | |
| B1. | (16) | P bal & sw |
| B2. | ( 8) | Long lines |
| ( 8) | W ch |
(*) End w/ P on gent's original side
Proper
| A1. | ( 8) | 1s almd rt, fall back to place |
| ( 8) | 1s almd lf 1 1/2, give rt hd to N (wavy line) | |
| A2. | (16) | Bal wave, N sw |
| B1. | (16) | Give & take (Ladies bring Gents home), P sw |
| B2. | ( 8) | Cir lf 3/4 |
| ( 8) | Bal ring, 1s "flirt & go"(*), 2s Cal twirl |
(*) 1s turn single, M over lf sh, W over rt sh
Improper
| A1. | ( 8) | N gypsy 1 1/2 |
| ( 8) | Long lines fwd & bk | |
| A2. | ( 8) | Cir lf 3/4 |
| ( 8) | P sw | |
| B1. | (16) | Swing star rt (rt hd star, same-sex lf hds) |
| B2. | ( 8) | Drop rt hds, lf hd star across |
| ( 8) | Cir lf 3/4, pass thru |
Becket
| A1. | ( 8) | Cir lf |
| ( 8) | W ch | |
| A2. | (16) | Hey |
| B1. | (16) | N sw |
| B2. | (16) | Give & take, P sw |
Notes:
Improper
| A1. | (16) | N bal & sw |
| A2. | ( 8) | M almd lf 1 1/2 |
| ( 8) | P sw, end facing across | |
| B1. | ( 8) | Rt & lf thru |
| ( 8) | W ch | |
| B2. | ( 4) | P rt-hd bal |
| ( 4) | square through 2 hands | |
| ( 4) | P rt-hd bal | |
| ( 4) | square through 2 hands |
Improper
| A1. | ( 8) | N almd rt 1 1/2 |
| ( 8) | M almd lf 1 1/2 | |
| A2. | (16) | Hey (pass P rt) |
| B1. | (16) | P bal & sw |
| B2. | ( 8) | Rt & lf thru |
| ( 8) | Cir lf 3/4, pass thru |
4-face-4
| A1. | ( 8) | Lines of 4 fwd, roll away w/ 1/2 sashay back |
| ( 8) | Opposites dsd | |
| A2. | (16) | Ends bal & sw (end facing in), while middle 4 bal opposite, square thru 2, bal opposite, square thru 2, face P |
| B1. | ( 8) | P bal, box gnat |
| ( 8) | Grand rt & lf 1/2 (until meet P) | |
| B2. | (16) | P gyspy & sw |
(break)
The next three may be done as a no-walkthrough medley if the dance will support it. Otherwise I'll just use the first dance, either with or without a walkthrough, depending.
Improper
| A1. | (16) | N gypsy & sw |
| A2. | ( 8) | M almd lf 1 1/2 |
| ( 8) | 1/2 hey | |
| B1. | (16) | P gyspy & sw |
| B2. | ( 8) | Long lines |
| ( 8) | Cir lf 3/4, pass thru |
Improper
| A1. | (16) | N bal & sw, end facing dn |
| A2. | (16) | Down hall, turn as cpls, ret, bend |
| B1. | ( 6) | Cir lf 3/4 |
| (10) | P sw | |
| B2. | ( 8) | W ch |
| ( 8) | Star lf |
Improper
| A1. | ( 8) | N almd lf 1 1/2 |
| ( 8) | W ch | |
| A2. | (16) | Hey |
| B1. | (16) | P bal & sw |
| B2. | ( 8) | Cir lf 3/4 |
| ( 8) | Bal ring, pass thru along |
Improper, 1s bet 2s facing dn in line of 4
| A1. | (16) | Dublin Bay, end in ring |
| A2. | ( 8) | Cir lf |
| ( 8) | Bal ring, "cloverleaf"(*) turn single | |
| B1. | (16) | N bal & sw |
| B2. | ( 8) | Long lines |
| ( 8) | 1s sw |
Improper
| A1. | ( 8) | Cir rt |
| ( 8) | N almd lf 1x, M pull by rt | |
| A2. | (16) | hey, P st pass lf sh |
| B1. | (16) | P bal & sw |
| B2. | (10) | Cir lf 1 1/4 (to orig pos) |
| ( 6) | Cpls zig lf, then zag rt, to pass N cpl by W rt sh |
The next dance is here as a just-in-case extra:
Becket
| A1. | ( 8) | Cir lf 3/4, pass thru |
| ( 8) | Next N almd lf | |
| A2. | (16) | Orig N bal & sw |
| B1. | ( 8) | Long lines fwd & bk |
| ( 4) | W almd rt 3/4, give lf hd to next W | |
| ( 4) | W almd lf 3/4 (*) | |
| B2. | (16) | P bal & sw |
(*) Men need to step lf to meet P
Becket, progresses CW
| A1. | ( 8) | Cir lf |
| ( 8) | lf diag W ch | |
| A2. | ( 8) | Straight across W ch |
| ( 8) | Straight across rt & lf thru, end in a ring of 4 | |
| B1. | (16) | Bal ring, Petronella twirl (2x) |
| B2. | (16) | Look for P, P bal & sw |
Ends come in on other side of set to circle left. Joseph Pimental has noted that this dance can be danced faster than one might think, and thus really rocking tunes can be used.
Improper
| A1. | ( 8) | N almd lf 1 1/2 |
| ( 8) | W ch | |
| A2. | (16) | Hey |
| B1. | (16) | P bal & sw |
| B2. | ( 8) | Cir lf 3/4 |
| ( 8) | N almd rt 1 1/2 |
Done as a no-walk-through dance to close out the evening.